An anonymous artist named Elias Marrow used AI to generate a painting called “Empty Plate” (depicting a young boy in a school uniform with an empty plate) and surreptitiously hung a framed print in the National Museum Cardiff in Wales. People thought it was a real historical painting and viewed it for hours before staff removed it.
Our take:
While we don’t recommend crossing any legal lines or boundaries, we absolutely admire this. It’s cheeky, subversive, and deeply meta — using AI as a prankster’s paintbrush. Marrow’s stunt doesn’t just question “what is art?” — it asks “who decides what good art is?” And if AI can fake a convincing oil painting that hangs in a museum, perhaps our concept of value needs a software update.
That said, there’s something quietly hopeful about it: an argument that art doesn’t need gatekeepers — just imagination, a few prompt tweaks, and maybe a security blind spot. We think this is the kind of glitch in the system that’s actually healthy.






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