At Adobe MAX 2025, filmmakers used generative AI tools (via Adobe Firefly + related creative AI) to make short films — everything from hand-painted folktales to Afrofuturist comedies and lo-fi NYC love stories. The result: a wild, genre-bending showcase proving AI can help storytellers realize ideas that would’ve needed big budgets or long timelines.
Our take:
This feels like a victory lap for AI as co-creator, not cop-out. These directors didn’t cede control — they handed AI the keys to their toolbox. So long as the human stays in the driver’s seat, the ride becomes more interesting, not less.
It’s not “AI movies” versus “human movies.” It’s “ideas you always had but couldn’t afford to shoot” finally getting a real shot. And yes — some will land. Some will flop. But the real win is creativity unlocked.
If you asked us: this is the version of AI we endorse. Because when you merge human vision + algorithmic muscle + creative bravery — magic happens. Cinematic, weird, hopeful magic.
AIpiphanies 
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